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Set within a world dominated by superhero corporations and two rival factions of super-powered beings, it has tackled sex, violence, masculinity and feelings of emotional disillusionment so far. Worth catching up with before it arrives on Amazon for its fourth season this December, The Expanse, formerly broadcast on SyFy, has found a significant following due to its intergalactic space intrigue and real-world relevance.

Set within a fragile intergalactic union between Earth, Mars and the asteroid belt, it features an ensemble cast of compelling character actors that has included Thomas Jane, Steven Strait, Shohreh Aghdashloo and Elizabeth Mitchell.


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Armisen and Rudolph are a dull couple who have lived in a form of marital stasis for more than a decade, before both dying tragically. Homecoming is a compelling mystery thriller filled with Hitchcockian visual flourishes and a central performance from Julia Roberts that practically defines star power.

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From the wild brain of Mr Robot creator Sam Esmail, it stars Roberts as an employee of a mysterious government facility, and is awash with conspiracies, repressed memories and paranoia. Despite being cancelled before it was able to truly flourish, Good Girls Revolt is still a treat. A less refined Mad Men entirely fronted by women, it was inspired by the female rebellion within the corridors of Newsweek Magazine in , with a trio of young researchers deciding the revolution occurring in the streets should be replicated in the workplace, too.

Everything was thrown into the pot for this Neil Gaiman adaptation, and with good reason. A gleefully messy battle of wits between good and evil, Good Omens cast Michael Sheen and David Tennant respectively as their eccentric physical embodiments — long-time friends despite their duelling purposes, who must prevent the coming apocalypse. But the resulting series, a short-lived intellectual adventure featuring startling, brilliant work from Kathryn Hahn and Kevin Bacon, is still worth seeking out. The Man in the High Castle is still propulsive entertainment, driven by narrative conundrums, scenery-stealing villains and a sprawling cast of characters.

But it was also never going to be a serious zeitgeist breakout, either, with creator Amy Sherman-Palladino retaining the lightning-fast dialogue of her series Gilmore Girls, and the show driven by the niche specifics of Fifties stand-up comedy. Modern Love is a gentle, funny throwback to classic Nineties romantic comedies about wealthy New Yorkers plagued with problems of the heart. The epitome of a smart, unassuming comedy, Mozart in the Jungle quietly chugged away in the background before being cancelled after four seasons.